Upcoming Events

Salon Gröne x Rietz
with Oliver Gröne

La Casa de Wannsee, Potsdam
05/07/2026, 4-7 pm

Painting of a landscape with a large tree in the foreground, a body of water, and distant hills under a partly cloudy sky.
Close-up of a purple fabric or surface with a smooth texture.

Three years ago, both painters relocated their studios to the same old industrial hall in Babelsberg. Their works, which appear quite different at first glance, are now being exhibited together in a joint Salon in a private villa Potsdam. The venue itself has an eventful history: it was once the site of Europe's first institute for applied psychology and was later surrounded by the inner-German border wall, with the narrowest part of the GDR right on its doorstep.

For Oliver Gröne, painting is a means of organising space. His works, composed of abstract planes and symbols, draw on our visual habits whilst simultaneously subverting them. Gröne's works are consistently characterised by their role as references to and homages to the history of painting.

Christian Rietz, on the other hand, takes a concrete approach. In his works, the visible world is excluded. His use of textures and shades represents a distillation of painting to its fundamental essence. We are confronted with ourselves and our expectations of an image.

One might say that Gröne regards painting as an open window. For Rietz, it is a mirror.

The Salon runs from 4 to 7 pm. Three hours, no second date.


Past Events

Exhibition
was wir sehen wollen

La Casa de Wannsee, Potsdam
08/03/2026

Unevenness, overpainting, deliberately placed empty spaces: Christian Rietz's painting is characterised by subtle colour nuances and an emphasis on materiality. In his works, fields of colour overlap like shimmering layers. Vibrating spaces, the soft murmur of an overexposed moment, small blurred areas.

In the tradition of concrete painting, the visible world is not abstracted, it is excluded from the outset. What remains is paint, surface, and the act of looking itself.

Areas of Rietz' paintings appear like narrow portals and tell us that perception is never neutral. That we are constantly filtering, deleting, adding – that we always see what we want to see. His works open up a space of resonance in which perception itself becomes the subject. The white, the noise, the fragile silhouettes, all of this invites us to look more closely, but also to perceive our own projections.

Photos by Theodor Böhm